I specialize in American film, and have published extensively on sound in film, especially as it relates to the unfolding history of modernity and the aesthetics of both high and vernacular modernisms. Other sound interests include the material history of human sensory experience and how it condi...
I specialize in American film, and have published extensively on sound in film, especially as it relates to the unfolding history of modernity and the aesthetics of both high and vernacular modernisms. Other sound interests include the material history of human sensory experience and how it conditions the emergence and normalization of representational technologies. My latest sound research deals with theories of asynchronous sound in film, and with the Wagnerian aesthetics of modern sound design in American film. I have specific research interests in Surrealism both in Europe and in the United States, silent film comedy, American experimental film, and the films and writing of Luis Buñuel. Like most of the members of Cinema and Media Studies, I approach the American cinema as part of a global system of cultural production and exchange.