Jean Ma, Stanford University
Associate Professor
Stanford, California
jeanma@stanford.edu
Office:
(650) 736-8458
Expert In
Bio/Research
She has recently taught courses on Chinese cinema, film sound, histories and theories of technological media, and horror films.
She is the author of Melancholy Drift: Marking Time in Chinese Cinema (Hong Kong University Press, 2010), and coeditor of Still Moving: Between Cinema and Photo...
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She is the author of Melancholy Drift: Marking Time in Chinese Cinema (Hong Kong University Press, 2010), and coeditor of Still Moving: Between Cinema and Photo...
Click to Expand >>
Bio/Research
She has recently taught courses on Chinese cinema, film sound, histories and theories of technological media, and horror films.
She is the author of Melancholy Drift: Marking Time in Chinese Cinema (Hong Kong University Press, 2010), and coeditor of Still Moving: Between Cinema and Photography (Duke University Press, 2008) and “Sound and Music,” a special issue of the Journal of Chinese Cinemas. Her work has appeared in Grey Room, Post Script, Journal of Chinese Cinemas, Camera Obscura, Criticism. Her newest book is Sounding the Modern Woman: The Songstress in Chinese Cinema (Duke University Press, 2015).
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She is the author of Melancholy Drift: Marking Time in Chinese Cinema (Hong Kong University Press, 2010), and coeditor of Still Moving: Between Cinema and Photography (Duke University Press, 2008) and “Sound and Music,” a special issue of the Journal of Chinese Cinemas. Her work has appeared in Grey Room, Post Script, Journal of Chinese Cinemas, Camera Obscura, Criticism. Her newest book is Sounding the Modern Woman: The Songstress in Chinese Cinema (Duke University Press, 2015).
Click to Shrink <<