Martha De Francisco, McGill University
Associate Professor Music Montreal, Quebec martha.defrancisco@mcgill.ca
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Bio/Research
Martha de Francisco is a record producer and recording engineer who specializes in classical music. She is a professor for Sound Recording at McGill University in Montreal.
An internationally acknowledged leader in the field of sound recording and record production, de Francisco has reco...
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An internationally acknowledged leader in the field of sound recording and record production, de Francisco has reco...
Click to Expand >>
Bio/Research
Martha de Francisco is a record producer and recording engineer who specializes in classical music. She is a professor for Sound Recording at McGill University in Montreal.
An internationally acknowledged leader in the field of sound recording and record production, de Francisco has recorded with some of the greatest classical musicians of our time for the most prestigious record labels and in the best concert halls. She has credits on over 300 recordings, mostly for worldwide release.
A graduate from the renowned Tonmeister program at the Musikhochschule Detmold, Germany, Martha was one of the pioneers of digital recording and editing in Europe during the 1980s. In her many years on staff as producer, engineer, and editor with Philips Classics, she developed long lasting working relationships with many prominent artists.
De Francisco has been entrusted with the recording legacy of world-class soloists and orchestras from Alfred Brendel to the Philadelphia Orchestra. She has worked with such artists as Jessye Norman, Claudio Arrau, Simon Rattle, the Vienna Philharmonic Orchestra, John Eliot Gardiner, the English Baroque Soloists, the Monteverdi Choir, Neville Marriner and the Academy of St Martin in the Fields, Kent Nagano and the Montreal Symphony Orchestra. She has recorded in a variety of venues throughout the world, including the Musikverein in Vienna, Carnegie Hall in New York, the Moscow Conservatoire, Bayreuth Festspielhaus, Suntory Hall in Tokyo, and the Cathedral of Notre Dame in Paris.
De Francisco is a frequent lecturer at international professional conferences as well as a guest lecturer at leading schools for higher education in Audio in locations as varied as Banff, Moscow, Düsseldorf, Bogotá, and New York.
Her research topics include the latest surround-sound techniques, music recording with virtual acoustics and the aesthetics of recorded music.
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An internationally acknowledged leader in the field of sound recording and record production, de Francisco has recorded with some of the greatest classical musicians of our time for the most prestigious record labels and in the best concert halls. She has credits on over 300 recordings, mostly for worldwide release.
A graduate from the renowned Tonmeister program at the Musikhochschule Detmold, Germany, Martha was one of the pioneers of digital recording and editing in Europe during the 1980s. In her many years on staff as producer, engineer, and editor with Philips Classics, she developed long lasting working relationships with many prominent artists.
De Francisco has been entrusted with the recording legacy of world-class soloists and orchestras from Alfred Brendel to the Philadelphia Orchestra. She has worked with such artists as Jessye Norman, Claudio Arrau, Simon Rattle, the Vienna Philharmonic Orchestra, John Eliot Gardiner, the English Baroque Soloists, the Monteverdi Choir, Neville Marriner and the Academy of St Martin in the Fields, Kent Nagano and the Montreal Symphony Orchestra. She has recorded in a variety of venues throughout the world, including the Musikverein in Vienna, Carnegie Hall in New York, the Moscow Conservatoire, Bayreuth Festspielhaus, Suntory Hall in Tokyo, and the Cathedral of Notre Dame in Paris.
De Francisco is a frequent lecturer at international professional conferences as well as a guest lecturer at leading schools for higher education in Audio in locations as varied as Banff, Moscow, Düsseldorf, Bogotá, and New York.
Her research topics include the latest surround-sound techniques, music recording with virtual acoustics and the aesthetics of recorded music.
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