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Bio/Research
Author of 'Schubert's Fingerprints: Studies in the Instrumental Works' (2011), 'Music at Oxford in the Eighteenth and Nineteenth Centuries' (2001)
Co-editor of 'Concert Life in Eighteenth-Century Britain' (2004) and of 'The Piano in Nineteenth-Century British Culture' (2007)
Her...
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Co-editor of 'Concert Life in Eighteenth-Century Britain' (2004) and of 'The Piano in Nineteenth-Century British Culture' (2007)
Her...
Click to Expand >>
Bio/Research
Author of 'Schubert's Fingerprints: Studies in the Instrumental Works' (2011), 'Music at Oxford in the Eighteenth and Nineteenth Centuries' (2001)
Co-editor of 'Concert Life in Eighteenth-Century Britain' (2004) and of 'The Piano in Nineteenth-Century British Culture' (2007)
Her song cycle 'The Survivor' was premiered at St John's, Smith Square in March 2005, with Kathryn Whitney (mezzo-soprano).
Her song-cycle 'Alles auf der Welt ist Wandel' was premiered in Oxford in March 2006 (Part 1) and February 2007 (Part 2), with Kathryn Whitney; and her set of variations for piano solo entitled 'fuer Fanny Hensel' was first performed complete in February 2008.
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Co-editor of 'Concert Life in Eighteenth-Century Britain' (2004) and of 'The Piano in Nineteenth-Century British Culture' (2007)
Her song cycle 'The Survivor' was premiered at St John's, Smith Square in March 2005, with Kathryn Whitney (mezzo-soprano).
Her song-cycle 'Alles auf der Welt ist Wandel' was premiered in Oxford in March 2006 (Part 1) and February 2007 (Part 2), with Kathryn Whitney; and her set of variations for piano solo entitled 'fuer Fanny Hensel' was first performed complete in February 2008.
Click to Shrink <<