Usha Iyer, Stanford University
Assistant Professor
Stanford, California
ushaiyer@stanford.edu
Office:
(650) 497-9133
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Bio/Research
Usha Iyer is Assistant Professor of Film and Media Studies. Her research and teaching interests lie at the intersection of cinema, performance, and gender studies with a specific focus on stardom, body cultures, spectatorial desire and engagement, and the political economy of transnational media....
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Bio/Research
Usha Iyer is Assistant Professor of Film and Media Studies. Her research and teaching interests lie at the intersection of cinema, performance, and gender studies with a specific focus on stardom, body cultures, spectatorial desire and engagement, and the political economy of transnational media.
Her book project, which examines the role of dance in the construction of female stardom in popular Hindi cinema from the 1930s to the 1990s, reflects these interests in its theorizing and historicizing of film dance, a staple “attraction” of the popular Indian film form, in relation to the construction of cinematic narratives, star bodies, and spectator-citizens. In recent articles and conference presentations, she examines dance, comedy, and action as performative modes involved in the presentation of the male body as spectacle. This attention to varied modes of performance is directed towards understanding cultural paradigms for performing gender, and producing a critical genealogy of popular cultural forms and trans-regional exchanges through the performing body.
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Her book project, which examines the role of dance in the construction of female stardom in popular Hindi cinema from the 1930s to the 1990s, reflects these interests in its theorizing and historicizing of film dance, a staple “attraction” of the popular Indian film form, in relation to the construction of cinematic narratives, star bodies, and spectator-citizens. In recent articles and conference presentations, she examines dance, comedy, and action as performative modes involved in the presentation of the male body as spectacle. This attention to varied modes of performance is directed towards understanding cultural paradigms for performing gender, and producing a critical genealogy of popular cultural forms and trans-regional exchanges through the performing body.
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